Sunday, June 2, 2013

Should I Get a Writing Degree?

(A solo post by Mark)

"Should I think about enrolling in a writing course or maybe a writing program?"

I get that question a lot, and the answer is always soul-searching for me. The advice is cheap, but the consequences to an aspiring or even established writer (more on that later) are enormous.

I get the question because my day job is half writing teacher and half program director for an MFA in Creative Writing. But it's not a simple question to answer.

Sometimes, the answer I give is "No." That used to be easy because almost all the MFAs out there focused on literary writing. Not really the ideal environment for someone who wants to publish popular genre fiction. Plus students -- often "grown ups" -- ha tveo pull up tent stakes and give up lifestyles, friends, and home.

For the January 2011 issue, Writer's Digest asked me to write an article about the whole lit-vs-genre MFA issue, so I got a chance to give advice to (gasp) an even bigger group of writers. But the question doesn't go away with the recent  proliferation of so-called "low-residency" MFAs, the decision is harder to blow off (or, in my case, advise). These programs let someone take most of the classes online and only attend campus classes during scheduled vacation time.

The other factor is that a small number of MFAs finally focus on genre fiction.

In fact, that's what my program does. It sounded like a good idea to me because that's what I wish I could have done.

Of course, I got there without the vetting and training of such a degree, and hence the odd situation I find myself in when someone -- often a potential student -- asks me for my honest opinion about whether or not to spend the money and time. Is it worth it?

I have to confess my honest answer isn't "Yes." Instead, it's "Maybe." And then I turn the question into one of my own: "Is it worth it to you?"

Last year, we had a New York Times best-selling author become a student in the program. She's a successful children's author, but she wanted to retool to pursue adult fiction. In her opinion, the fast-track to that change was getting direct training from author-teachers who knew that publishing culture and those markets already.

She confirmed my faith that the answer can be "yes." But at the same time, I still don't think it's the right answer for everyone. Although neither Kym nor I come even close to being "best selling," we still came to writing fiction from a background as professional journalists -- we knew already what it was like to make a living as authors and the realities of depending on writing as a way to make that living.


In that sense, I think "maybe" is still the best answer. There are many paths to succeeding as an author -- and on many levels. One path might be an MFA. But the only time I flat out say "Yes" is when I see a combination of talent, commitment, and experience that tells me a student is coming into the program with eyes wide open.
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If interested, here are three schools out there that focus on genre fiction:
There are also good online genre writers support groups (Yahoo comes to mind), as well as Goodreads and LinkedIn groups, but all too numerous to list! And please feel free to add specific ones you think are useful in comments to this posting.

18 comments:

  1. Congratulations, you are the first IWSG post this week!
    Every person's needs and goals are different, so I can understand why the answer is maybe. Cool that some of the schools provide genre options.

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    1. Thanks, Alex, for your comment on this topic. Always an honor to have the Captain drop by.

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  2. Mark, thanks for sharing your insights. I've, of course, kicked this very idea around knowing you, knowing the programs at Western and knowing the instructors. For me, it's less about would it make me successful than oooo to just soak in all that knowledge and learn. It's a dream that at my age and point in life probably isn't going to be worth the financial investment (debt) I'd have to incur.

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    1. Julie, we may talk you into it one of these days yet! Ya know, the average age of a student in a lo-res MFA is middle forties. Lots a folks not too different from you. Just saying. :)

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    2. Julie, I should hasten to add that you'd be the baby in the group!

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    3. Well that IS enticing.... maybe when the next child is through college ...

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  3. Hey Mark, your post caught my eye because I've been thinking about this a lot lately.

    My question for you is this: how valuable do you think having a relevant qual is, not for the knowledge, but for the letters? E.g., if an agent sees an MFA on one query letter and not another, I'm pretty sure I know which will be looked at more seriously.

    (Please don't say, 'yes, but great writing and persistence will triumph' . . . unless you really think so, of course.;) Thanks for sharing.

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  4. Hi, Erica.

    Nope, not gonna tell you good writing and persistence triumph. I actually believe serendipity plays a huge role in success at publishing! (Of course, you *do* have to be a strong writer when that serendipitous opportunity arrives, and you have to have stamina to stay in the game until serendipity picks you. But those opportunities do happen, and all the time.)

    That's where I think the MFA may have some value -- it helps you get ready, maybe even shorten the queue-up for serendipity's attention.

    An MFA does more than strengthen craft and help you network (although a good one should provide both these); it's a calling card that says your work has been vetted by professionals, that you're a lower risk in the eyes of an agent or publisher because you've already run the gauntlet proving you know how to write, how to copyedit your own work, how to meet deadlines, and how to take suggestions and constructive criticism. And these days, let's face it, there are lots of good writers out there who already offer these qualities. The MFA signals you've got that stuff down pat.

    My agent and editor friends tell me they're more and more inclined to look at MFA-vetted writers because it makes their job easier.

    The problem had always been that most MFAs focused on experimental and literary work (which is its own genre with its own rigid set of tropes -- but don't get me started), "ruining" writers in the eyes of many editors who just wanted solid and dependable genre storytellers.

    But now comes along a small set of MFAs that focus on crafting and selling popular genre fiction. I think this is going to be a game-changer for writers with such MFAs.

    Agents, editors, and publishers large and small get into the business because they love books, they love good stories, and they want to publish good work. The MFA credential is a calling card to have that kind of conversation with these folks because you're saying you've done your homework: you've made sure the conversation with them can be about the next book, not the broken pieces in the current one.

    Okay, I obviously believe in what I do. But I think the market and competition is tougher these days, and I do believe -- for the "write" person -- the MFA can be an asset.

    Erica, you asked, and that's what I really think. I usually have extended conversations with our potential students about the very question you've asked, trying to confirm whether or *not* an MFA is a good decision in their lives. And as I said in the blog above, the answer is not always "yes." (If you want to carry on a conversation off-blog, feel free to contact me at our MFA Website link at the end of the blog).

    Cheers,
    Mark

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  5. Thanks, Mark. Your comments and the WD article are very interesting.

    I wouldn't mind your advice, actually, though I appreciate you're not a career guidance counselor. I'll drop you an email and you can tell me to go away if you want to.

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    1. happy to, Erica. My work e-mail is mtodd@western.edu

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  6. That's a lot to think about. I don't even have a college degree, let alone one in writing.

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    1. Hi, Diane, and thanks for dropping by. I don't think a degree is the only path to becoming a successful writer. You're a good case in point -- someone with the personality and talent to make things happen for themselves. By the way, I *love* your PUBLISH/PROMOTE book, full of great advice.

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  7. Appreciate your honesty, because your answers - really - not all is painted with the same brush and it's not one answer that fits all.

    Nice to meet you, and great looking blog here.

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    1. IB, thanks for dropping by. Nice to meet you as well, and thanks for the compliment on our blog.

      It's still a "blog new world" to us, and we're feeling our way along.

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  8. I think 'maybe' is excellent advice. What is right for one is not necessarily right for another. I don't have a degree of any kind but I don't think that makes me any less a writer. But for some I think it would be a good thing to do.

    Suzanne
    IWSG co-host

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    1. Hi, Suzanne.

      I agree entirely. There are many paths to becoming an author. Stephen King says it well on this very subject: Writers aren't going to find "a magic bullet or a secret ingredient ... none of which can be found in classrooms or at writing retreats." However, he also says you don't *need* his own book, On Writing (where I took the quote -- even though I've read it many times and always find it valuable.

      But he concedes "one undeniable benefit: in them the desire to write fiction or poetry is taken seriously." And I concur. It's a constructed community of writers all with the same goal -- to write and to publish. Authors find that in many ways; writing programs are one way, where that experience is structured to show how it should happen.

      Thanks for stopping by! :)

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  9. I'm just not sure having a writing degree makes that much difference. Either your writing is good and people enjoy reading, or it isn't. There are so many ways to improve it, that I don't think anyone needs a degree in writing, per se.

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  10. Thanks for adding to the conversation, M.J. And you're right, of course -- there are *lots* of ways to improve writing.

    Thanks for dropping by.

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